My Daily Bread: A Reason2bCatholic blog

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Recent Posts

  • Divine Office | The meaning of “the fear of the Lord”
  • Saints Alive! | St. Casimir of Poland
  • Saints Alive! | St. Katharine Drexel
  • Christian Art | Dante and Virgil in hell, William-Adolphe Bouguereau
  • Wit & Wisdom | The Lenten fast

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  • Saints Alive! | St. Casimir of Poland
    Saints Alive! | St. Casimir of Poland
  • Catholics Come Home | Fallen Away Catholics
    Catholics Come Home | Fallen Away Catholics
  • Christian Poetry | Encountering the Storms
    Christian Poetry | Encountering the Storms
  • Gospel Reflections | The Transfiguration of The Lord (Mk 9:2-10)
    Gospel Reflections | The Transfiguration of The Lord (Mk 9:2-10)
  • Divine Office | The meaning of "the fear of the Lord"
    Divine Office | The meaning of "the fear of the Lord"
  • Saints Alive! | St. Katharine Drexel
    Saints Alive! | St. Katharine Drexel
  • Saints Alive! | St. Dymphna
    Saints Alive! | St. Dymphna
  • Saints Alive! | St. Louis IX of France
    Saints Alive! | St. Louis IX of France
  • About the Author
    About the Author
  • Divine Office | In Christ we suffered temptation, and in him we overcame the Devil
    Divine Office | In Christ we suffered temptation, and in him we overcame the Devil

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Christian Art Gallery

Allegory of the Eucharist by Alexander Coosemans (1627-89), Oil on Canvas, Painted 1654, © Musée de Tessé, Le Mans, France. For other beautiful works of art please visit my friend Patrick van der Vorst at www.Christian.Art.
Allegory of the Eucharist by Alexander Coosemans (1627-89), Oil on Canvas, Painted 1654, © Musée de Tessé, Le Mans, France. For other beautiful works of art please visit my friend Patrick van der Vorst at www.Christian.Art.
Madonna of the Magnificat, 1481 by Sandro Botticelli
Madonna of the Magnificat, 1481 by Sandro Botticelli
El Buen Pastor (The Good Shepherd), Bartolome Esteban Murillo, Ca. 1660. Oil on canvas. Room 017 In a landscape with classical ruins that allude to the defeat of paganism, the Christ Child tends a lamb. Murillo based this image on a print by Stefano della Bella (1610-1664), while making use of his outstanding ability to depict children to create one of the most effective depictions of the parable of the Good Shepherd.
El Buen Pastor (The Good Shepherd), Bartolome Esteban Murillo, Ca. 1660. Oil on canvas. Room 017 In a landscape with classical ruins that allude to the defeat of paganism, the Christ Child tends a lamb. Murillo based this image on a print by Stefano della Bella (1610-1664), while making use of his outstanding ability to depict children to create one of the most effective depictions of the parable of the Good Shepherd.
Sheep and their Shepherds, Image by Henri Martin (1860-1943), Oil on canvas, Painted circa 1925 © Sold Christie’s London, 25 June 2008, lot 498, for £540,000. For other beautiful works of art and daily Gospel reflections please visit my friend Patrick van der Vorst at www.Christian.Art.
Sheep and their Shepherds, Image by Henri Martin (1860-1943), Oil on canvas, Painted circa 1925 © Sold Christie’s London, 25 June 2008, lot 498, for £540,000. For other beautiful works of art and daily Gospel reflections please visit my friend Patrick van der Vorst at www.Christian.Art.
Saint Florian Extinguishing a Fire, by Martin Johann Schmidt, Oil on Canvas (1786)
Saint Florian Extinguishing a Fire, by Martin Johann Schmidt, Oil on Canvas (1786)
Saint Victor Maurus, 5th Century mosaic
Saint Victor Maurus, 5th Century mosaic
Saint Catherine of Siena by Giovanni Battista Tiopolo
Saint Catherine of Siena by Giovanni Battista Tiopolo
The Heavenly and Earthly Trinities (c. 1675-82) by Bartolomé Esteban Murillo (1617 - 1682)
The Heavenly and Earthly Trinities (c. 1675-82) by Bartolomé Esteban Murillo (1617 – 1682)
Road to Emmaus, Robert Zund
Road to Emmaus, Robert Zund
Saint Mark, The Evangelist by Valentin de Boulogne (1594-1632)
Saint Mark, The Evangelist by Valentin de Boulogne (1594-1632)
Supper at Emmaus, Caravaggio
Supper at Emmaus, Caravaggio

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